Recent statistics assert that perhaps the last of all the varied creations of the numerous ranges of mosaic art to reach the appreciation of Western public are marble mosaics. Little interest, compared with that flooded on stained glass mosaics, has been given to marble either in European or American art shows, except for Ancient Roman mosaics.
So Far as the West is concerned it is also possible to describe this lack by analyzing the main circumstances under which the familiarity with the art form was created. In modern times most Westerners gave value to the ancient art form, and yet forgot to examine the contemporary movement which has been dramatically evolving over the centuries.
Nevertheless, this art form is now experiencing a major revival in the Western World. Amid strong stimulation and miscellaneous prices, mosaics are increasingly attracting the attention of art collectors worldwide.
Today’s article covers an orderly knowledge towards the creation and the energy about mosaic craftsmanship from the Western point of view and the growth of interest.
Few legends in the world of art can maintain the balance between the paradoxical blend of modesty and resourcefulness. Kate Rattray is one of them!
I’m especially thrilled to share this in-depth interview with Kate Rattray, the humble yet brilliant mosaicist living and working in Somerset, UK. Inspired by the force, composition and hues of nature, her work tells the story of an ancient allegory that perceives the world as a primitive and magical place. The enchantment of her mosaic artworks amplifies a piece of splendor, both literally and allegorically and pushes your estimate limits concerning her exceptional source of motivation.
In this exclusive interview, Kate talks more in-depth abou
Maps have been used as a way to analyze the geographic nature of chronicles for over a century now.
Terra Incognita and maps are still employed by young scholars and literature students to better estimate the narrative course of geography, and how it could influence the narrative to a meticulous layout or landscape. These maps have been mostly influenced by passionate bookworms, thrilled to follow in the steps of their favorite book-Idols and Superhero-film characters. Travel and tourism agencies have also played a great part in exploiting the cities of blockbuster and bestseller movies and novels. Maps have not only been used to interpret and geo-locate storyline but to manipulate them as well.
The narrative power of maps has been sanctioned widely by authors and filmmakers. Nonetheless, nowadays we witness the narrative power of maps endorsed creatively in many contemporary mosaic artworks. Although, the mosaic Map of Madaba was discovered in 1896 and became instantly renowned as an exceptional mosaic map, but the contemporary mosaics of our time are far beyond a two-dimensional catalog of locations.
Today’s article is another short brief stop at the breathtaking Contemporary Mosaic Maps of Rachel Sager, and how to visualize the new world cartography.
Have you ever looked through the kaleidoscope? It’s wholly hypnotic and attention-grabbing, a simple childhood recall and a sensory bliss unblemished by adult pursuits. When I first came across Nathalie Vin’s mosaic designs I was utterly unsettled… It was just like looking into a mirror and not noticing my reflection, I dismissed her art work as a means to shock her way into the art world. But guess what? Nowadays it became harder for artists to leave a peculiar, yet outrageous impression in the creative scene. In fact, the art world became more open to creative, bizarre and new concepts. Who would have thought that the blank canvas of Rauschenberg would have gotten so far?
One hundred years ago today, the scientific community observed the knowledge of Earth’s history turning into a progressively less effective guide to the future. Civilization enters a dark edge in the practical perception of our planet.To get more insight into the subject, one must picture himself in his grandchildren’s time, a century hence. Major global warming has occurred, as scientists forecasted. For instance nature’s longstanding, repeatable patterns are no longer so reliable. Cycles that have been fundamentally determined during modern history are today disrupted by extensive changes in temperature and condensation.As Earth’s temperate alleviates, new patterns begin to appear. Initially, they are confusing and hard to spot. Scientists note similarities to Earth’s emergence from the last ice age. These new patterns need many years to reveal themselves fully, even when monitored with contemporary observing systems. Meanwhile, the farmers will struggle to predict new seasonal patterns and regularly plant the wrong crops. Early signs of major drought will go unrecognized, so costly irrigation will be built in the wrong places.
Liz West creates vivid environments that mix luminous color and radiant light. Working across a variety of mediums, West aims to provoke a heightened sensory awareness in the viewer through her works. She is interested in exploring how sensory phenomena can invoke psychological and physical responses that tap into our own deeply entrenched relationships to color.Meet Liz West and have a look at her recent masterpiece in the former St John’s Church building: